![]() And you’re going to tell me he basically just came and went as he pleased? Bye. His disappearance was the sole reason we even have a drama to start with. Se Joo’s disappearance was the initial driver of the story. Not to mention the viewers barely got any time to familiarize themselves with the concept of an instance dungeon and then the drama was over. The reason I say miraculous is Se Joo doesn’t explain himself until literally 20 minutes before the entire drama was over. But couldn’t you have showed up 2 episodes earlier?Īnd then we have Se Joo, who miraculously appeared after Jin Woo solved the quest. But for a plot device to be a plot device, it’s gotta make sense. It seems like the scriptwriter killed him only for a plot device, so Professor Cha can start a re-investigation of his son’s death. Based on everything that had happened in the drama prior to his death, that’s an impossibility. Why did Jeong Hoon die? NPCs killed him – not a real person. Marco became an NPC because Se Joo killed him in the game.ĭirector Cha became an NPC because Jin Woo killed him in the game. It needs to make sense in the world you’ve created. But that doesn’t mean plot holes are acceptable. ![]() You see, fiction relies on suspension of disbelief, especially fantasy and science fiction. I loved the drama and was excited for where it will go until Jin Woo’s secretary, Jeong Hoon died. Don’t wanna judge a book by its cover but the moment he showed up, he just looked like bad news. It was a bit obvious that he also played somewhat of a villain character in W – Two Worlds, written by the same scriptwriter, but that type of thing is common in Korean dramas so I just let it go. Professor Cha’s betrayal too, I expected it. She was kind but not weak and she characterized faith. She was unwaveringly supportive despite not knowing anything. Hee Joo’s existence is a symbol of hope in Jin Woo’s life. Then Hee Joo’s relationship with Jin Woo started to blossom and I was so happy to see that. I’m so sorry you had to go through all that Jin Woo. I’ve spent many years in this space and seeing a drama relentlessly not give the protagonist any victories was difficult to watch, but I welcomed it. I’ve watched Korean dramas since Winter Sonata. Seeing Jin Woo become tormented was sad, but incredibly thrilling for me. When Director Cha showed up dead, Memories of the Alhambra suddenly became the most innovative drama to have existed. Behind his air of arrogance there was a warm soul in there and Hyunbin showed that. There was twist after twist, and Hyunbin’s character, Yoo Jin Woo, was not just a rich man. Hee Joo is such a gem.Īnd in the beginning, I felt like I was rewarded for hanging on. Even more so I was disappointed that Hyunbin had chosen yet another rich man character. I almost quit watching the drama the moment I saw it was about another rich man meeting some girl who’s poor.
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